CLARE Bowen was backstage at the Sydney Theatre Company when her life changed. It was 2010, and things were already going swimmingly enough for the Australian actor and singer.
Fresh from the requisite “five minutes” on Home And Away, she had won the lead role in a production of Spring Awakening. Then-STC artistic director Cate Blanchett sought Bowen out — she wanted to pass on some advice.
“Cate said to me, ‘Have you ever thought of moving to LA?’” Bowen, 33, tells Stellar.
“That thought was terrifying. She said, ‘I think you’d do really well there.’ She kicked me into gear to be brave enough to make the jump. I sold everything I owned to buy a plane ticket. Everything happened from there.”
“Everything” was the whirlwind that Bowen’s life became after she scored a plum role on TV’s country music drama Nashville in 2012. A few years into that gig, she attended a G’Day USA tourism showcase in Los Angeles, where she no longer lived. (She had relocated to the titular US city to film the show.) Blanchett was there, too.
“She remembered that conversation,” Bowen says, who calls the actor “a beautiful person who offered up this gem of advice … which I’m now relaying while sitting on the back verandah at my home in Nashville, Tennessee”.
There was another famous Aussie from Bowen’s past at that same function: Tina Arena. “My dad is a flight attendant for Qantas,” Bowen says. “He got Tina to sign a menu for me a long time ago, and I treasured that thing so much it almost fell apart.”
Emboldened by her chat with Blanchett, Bowen decided to say hello to her childhood hero: “I was shaking in my boots, but I told her I learnt to sing by singing her songs.”
Arena now admits that she didn’t know who her eager fan was. “I’d never watched Nashville,” she tells Stellar. “But she was beautiful and so engaging, I started watching. I got sucked in.” She remains a fan. “I’m up-to-date now!”
Arena was so taken with Bowen that when it came time to put together the guest list for her new compilation Greatest Hits & Interpretations, she asked Bowen to cover her song ‘Still Running’. “There is such an incredible vulnerability and rawness and an angelic beauty there,” Arena says, “an innocence that you just don’t see very often. It resonates in her voice and in her storytelling — she just grabs you and pulls you in from the very first breath. She’s equally as breathtaking on camera as an actress. She’s stunning.”
Recording the song left Bowen equally overwhelmed. “It’s hard to describe when one of your heroes decides they want to contact you, let alone give you one of their songs to sing,” she says. “I almost passed out.”
Bowen’s tendency to pour emotion into her songs is perhaps at a personal peak in ‘Love Steps In’, her first solo single which she released this year. The track is about her brother Timothy James Bowen, a 27-year-old Sydney musician, and the health battle he began waging in 2015. That year, he was diagnosed with stage 4 lymphoma; at the time, doctors gave him just two weeks to live.
When Bowen swung through Australia on a brief tour last year, he joined her onstage, playing the guitar. “He was on chemo at the time,” Bowen says. “The poor thing was such a trouper.”
The singer knew exactly what her brother was going through. When she was just four years old, Bowen was herself diagnosed with cancer of the kidneys, and given the same two-week prognosis. She would ultimately spend the next three years in and out of Sydney hospitals.
‘Love Steps In’ is a family affair in more ways than one, since it was co-written by Bowen’s fiancé Brandon Robert Young (along with their friend Justin Halpin), who knew his beloved was struggling to put her brother’s experience into words.
“I knew I had to sing it,” Bowen tells Stellar. “It was so special. We sang it all over the world — from Glasgow to Alabama — and brought it to Australia, where it took on a life of its own. I love that the song is not just for my family anymore. It’s for everybody.”
Timothy’s cancer went into remission in March 2016. “He’s beaten the odds,” Bowen says. “He got through chemo with flying colours and knows exactly how lucky he is.”
That song has now taken on a new meaning. “Now,” she says, “I get to sing it smiling. It was pretty rough last time with what my brother was dealing with. It’s [now] a joy that I have to share.”
Australians sometimes scoff at the idea of music as “healing”, but Bowen is a believer. She says it’s “the reason I’m still here. I was given two weeks to live. My parents pushed and pushed and pushed for things to happen that usually didn’t throughout my treatment. Getting people to talk about difficult things is a big part of my show. Singing that song is like being able to put your arms around everyone in the world at the same time”. A refusal to give up seems to be a recurring theme in Bowen’s life.
When US network ABC cancelled Nashville last year after ratings dropped, the show’s fans — known as “Nashies” — exercised people power. A petition secured close to 200,000 signatures and a bidding war erupted between networks keen to give the show a second chance. It ultimately moved to a new channel, and was recently renewed for a sixth season.
“The Nashies went crazy,” Bowen says. “They did more than I expected. When you hug someone who comes to the Nashville concerts” — the show’s principals regularly head out on tour together — “you’re hugging someone who brought the show back.”
Bowen returns to Australia for another solo tour next month; it will give her a reprieve from filming duties on Nashville and allow her to plan her wedding to Young later this year. As with most of what’s transpired in her life, she sounds excited — if surprised — to be in this place.
“I never wanted to get married before I met Brandon,” Bowen admits. “It was not one of my life goals, but he ruined everything in that department. I get to choose a song to dance with my dad to, design my dress with my mum, all that stuff I never thought about until I met him. I can’t wait.”
Summer Tour To Feature Clare Bowen, Chris Carmack, Charles Esten, and Jonathan Jackson
Get ready for a fun summer, Nashies!
The cast of Nashville has just announced their fourth US tour. A special presale begins Wednesday, May 3 at 10 a.m and ends Thurdsay, May 4 at 10 p.m. (times local to the venue).
Use this special CMT presale code in honor of the June 1 mid-season premiere: CMTjune1
Here are the tour dates:
7/23 – Orlando, FL – Hard Rock Live
7/25 – Clearwater, FL – Ruth Eckerd Hall
7/26 – Atlanta, GA – Chastain Park Amphitheatre (on sale in June)
7/28 – Grand Prairie, TX – Verizon Theatre
7/29 – Robinsonville, MS – Horseshoe Tunica
7/30 – Huber Heights, OH – Rose Music Center at The Heights
8/1 – Vienna VA – Wolf Trap for the Performing Arts (on sale now)
8/2 – Raleigh, NC – The Red Hat Amphitheater
8/4 – Richmond, VA – Innsbrook After Hours
8/5 – Brooklyn, NY – Coney Island Amphitheater
8/6 – Atlantic City, NJ – Borgata Spa & Resort Event Center
The tour is set to feature cast members Clare Bowen, Chris Carmack, Charles Esten, and Jonathan Jackson, and is produced by Opry Entertainment. Tour stops will feature songs from the series as well as the artists’ original material.
All shows go on sale Friday, May 5, except for Vienna, VA which is on sale now and Atlanta, GA which will go on sale in early June. A limited number of VIP Packages including cast meet & greets will be available for all shows.
Nashville isn’t going anywhere.
CMT has renewed the country music drama for a 16-episode sixth season debuting in early 2018, ET has learned.
“Nashville is our biggest hit and we’re thrilled its fans have now become consistent CMT viewers,” said Brian Philips, President of CMT. “As fans ourselves, we couldn’t be happier with our hometown show’s creative resurgence! We can’t wait for you to see what comes next.”
As a treat to the fans, CMT released a new teaser video highlighting what’s to come in the second half of the current fifth season. In the midseason finale, Maddie (Lennon Maisy) went off to New York to kick-start her singing career and Scarlett (Clare Bowen) revealed that she was pregnant.
Showrunner and executive producer Marshall Herskovitz gave a preview of where the characters are headed in the summer premiere, which picks up 10 weeks later. When the show returns, Deacon (Esten) helps Daphne (Stella Maisy), but Daphne feels unmotivated, while Juliette (Hayden Panettiere) offers Maddie unsolicited advice about a song. Meanwhile, Scarlett and Gunnar (Sam Palladio) receives news about the baby.
“What we’re promising, really, is this continuing process of deepening the relationships of these characters and following through them figuring out who they are in their lives, trying to make their way and getting into the real conflicts that happen. That’s going to be both wonderful and difficult,” Herskovitz teased.
“There is most definitely life after Rayna and yet we never forget her,” he continued, referencing the death of Connie Britton’s character. “She’s sort of a presence in each of the episodes because that’s what happens in life.”
Nashville will also welcome another addition to the cast — and he’ll likely be stirring up trouble.
Big Little Lies star Jeff Nordling has joined the ensemble as Brad Maitland, an “extremely successful, charming, egotistical, narcissistic owner” of Nashville’s most successful record label. Nordling joins Rachel Bilson and Kaitlin Doubleday as the newest members of the Nashville family.
Nashville returns for the second half of season five on Thursday, June 1 at 9 p.m. ET/PT on CMT.
Warning: Spoiler alert! Do not proceed if you have not watched Thursday’s spring finale of Nashville. If you have, read our full recap, then come on back.
Well, that’s certainly going to change things.
Nashville wrapped up the first half of its fifth season with an unexpected bombshell at the end of Thursday’s spring finale: Scarlett (Clare Bowen) is with child!
The singer-songwriter broke the baby news moments after reluctantly agreeing to go on tour with her on-again/off-again beau Gunnar (Sam Palladio), telling him that she’s going on the road with him, with one not-so-tiny caveat. “One thing you need to know… I’m pregnant,” Scarlett revealed to Gunnar (and the audience), who had a stunned expression on his face.
The kicker? She’s not sure who the father is: Gunnar or Damien (Christian Coulson), the Brit who directed The Exes’ music video and immediately took a liking to Scarlett. And so the long wait to the resolution of that cliffhanger begins!
Luckily, ET caught up with Bowen via email about what Scarlett’s impending motherhood means for her future — and whether it makes a difference who the father is.
ET: Scarlett’s pregnancy bombshell was quite a shock! What was your first reaction when you read that in the script?
Clare Bowen: In the words of Terry Pratchett: “Oh, drama.”
How do you think she’d handle motherhood?
Scarlett’s done a lot of growing up over the last couple of seasons. She’s developed a sense of self-preservation, as opposed to just trying to keep everyone else happy all the time. I think her having become protective of herself, her own wants and needs is a good start in self-love, just in time for this journey. Having said that, we all know she’s great at taking care of others, but having had an abusive, unwell mother herself, she has no training in “mothering.” Not to mention, she’s a 26 year old with a career, experiencing a surprise pregnancy just when she thought she was getting a foothold on life. But she’s resourceful and instinctive with the patience of a brick. So she’s just going to bloody well handle it.
While this normally would be happy news, it seems Scarlett is torn — especially when she admits she doesn’t know who the father is. How does Scarlett navigate this new uncharted territory?
“Normal” is a setting on a dryer. Scarlett has had fears that she might suddenly turn into her mother upon becoming one. She also entertains the fear that this is her punishment for doing something that actually felt good, instead of just submitting to Gunnar’s wishes. But in her heart of hearts, she knows that’s simply not true. She knows everything happens for a reason and chooses to keep her baby, because to her as an individual, no matter who this baby came from, he or she is a part of her, and that is enough for Scarlett.
How will the identity of the father change things for Scarlett? If it’s Gunnar’s baby, will she have a different reaction than if it was Damien’s? Is it important to her who it is?
Honestly she doesn’t want, or need, to know at this moment. She is the one carrying this child. She doesn’t want to hurt Gunnar, and thusly can’t fake having feelings for him right now. Also she has no idea what Damien’s reaction will be. At this point, it’s all about her baby. That’s just the way she is.
She’s also about to go on tour with Gunnar. Could this new baby thaw things between them?
I don’t have children but I’ve been told they’re not instruments to fixing broken relationships. Scarlett was incredibly honest with Gunnar, and well within her rights when she said she didn’t know what it would take for her to trust him again.
It was lovely seeing Rayna — via footage, interviews — throughout this episode, as everyone started to pick up the pieces and move on with their lives. Were you satisfied with the way Rayna’s story closed with the recording of the unfinished duet?
Upon witnessing Deacon’s strength in singing with the love of his life one last time, knowing he’ll never hold her again, there came about a feeling of “He will survive this” for Scarlett. Her family is a patched-together thing. Deacon is not just her uncle — he’s her best friend in the whole world, and she’d do anything to protect him. Seeing him put one toe on the path to healing made her heart soar.
Lastly, what three words would you use to describe Nashville’s return?
Honesty, family, bravery.
Nashville returns this summer on CMT.
She remembers being really cold.
Clare Bowen, 4 years old, couldn’t move her legs. Her parents rushed her to the hospital in Sydney. It was the first time the little Australian girl had ever been in air conditioning.
In that chilly hospital, the girl overheard grim doctors say “end-stage nephroblastoma,” words she didn’t know. But Bowen understood when they told her parents she was dying.
The blonde-haired little girl calmly asked her mother: “Are there heaters in heaven?”
As a child, Bowen remembers that her dad was a flight attendant for first class on Qantas airline. Her mom owned a clothing shop and baked wedding cakes. And she took care of the little girl, who spent more time with animals than other children.
They had a pet white mouse named Albert, and a canary named Aloicious. A stray Russian blue cat, Butch, would wander by the house now and again, and when Mom put out a bowl of food for the cat, she sometimes put a bowl of milk down for her daughter, who would drink it right next to the stray.
The little girl ran to meet Butch every time the cat came by. But the day before her legs stopped working, Bowen, not feeling well, ignored her feline friend.
“I remember not caring he was there,” Bowen said softly.
The tumor was the size of a football, crushing virtually everything inside the little girl’s body.
Doctors said she had about two weeks to live, but there was this experimental treatment – one that might kill her outright.
“They asked my parents to sign a release. They had to sign a release to basically poison me,” Bowen said.
Doctors wanted to shrink the tumor to the size of a grapefruit before they went after it to remove it.
The surgery lasted 10 hours. Surgeons rolled the girl onto her left side, cut near her waistline around half her body, and pulled out the tumor – and one of her kidneys and part of her diaphragm and some of her guts that had been damaged by the tumor.
Bowen stayed in the hospital for a year, maybe longer, and staff and relatives tried to make it as comfortable and even as fun as possible. The little girl’s name was painted on her door.
Her mother snuck her canary and her mouse into her room, and a family friend brought a Labrador to the hospital gardens to play with the sick little girl. Nurses did arts and crafts with Bowen and the other children.
Sometimes, Bowen felt awful, and nurses and doctors would rush her into various treatments.
‘We were all bald’
The most jarring day came when a child died in the recovery room they shared.
“I woke up, alarm bells going off. We didn’t know each other’s names, and I didn’t know if he was a boy or a girl. We were all bald,” she said.
“I looked to my left and saw the little one’s mother holding the child, and the child had gone completely limp.
“This woman was just screaming like something had been torn out of her,” Bowen said, pausing. “It’s not normal, but it happened all the time.”
The worst day was when her best cancer buddy, Jackie, died the same week doctors started letting Bowen sleep at home.
Bowen, crushed, couldn’t shake the feeling – Why did her friend die and she lived?
“I had survivor’s guilt and I didn’t even know it,” Bowen said. “I never really cared what happened to me but I wanted to take care of others, even as a girl.”
Bowen, sleeping at the family home, still went to the hospital each day for treatment and monitoring.
Sometimes, the girl woke up vomiting, and couldn’t stop, so the family would rush her to the hospital.
Through all of it, extended family showed up regularly. Bowen smiled when she remembered having about 20 relatives in her room one day, grandparents, aunts, uncles, cousins, sitting on the floor with them eating chicken nuggets, talking and laughing.
Bowen had a tough time returning to school because other kids’ parents feared the sickly, gaunt girl, mistaking her as a victim of the AIDS epidemic sweeping the hospital at the time.
“Other mothers used to pull their children away from me,” she said. “They didn’t want their children traumatized by my impending death.”
A year or so later, Bowen enrolled in Catholic school with supportive, loving teachers and administrators. She slowly integrated back into being a little girl again.
But lingering health issues and survivor’s guilt left Bowen feeling off: “I didn’t have a good sense of self-esteem and I was constantly sick with side effects from chemo.”
Panic attacks racked her as a teenager, and she had them often enough that she started to be able to manage them.
“Even if I’m worried and horrible panic attack feelings kick in, I’m rational enough to say, ‘Keep going, breath in some energy.’”
With time and therapy, Bowen, now 32, has begun feeling a sense of self-worth.
“I learned to love myself,” she said.
Bowen was able to stand with her brother, Timothy, as he fought and beat cancer recently.
And Bowen – an actress who plays singer/songwriter Scarlett on CMT series “Nashville” – has begun to speak publicly about the disease and her battle with it.
She famously cut off her long hair in fall 2015 to show support for a little girl who said she couldn’t be a princess anymore because she didn’t have long hair.
“I wanted her, and others like her to know that’s not what makes a princess, or a warrior, or a superhero. It’s not what makes you beautiful either,” Bowen posted on Facebook.
“It’s your insides that count… even if you happen to be missing half of them.”
Bowen also served as a keynote speaker last year for a Country Cares seminar for St. Jude Children’s Research Hospital, and she has visited children with cancer and other chronic illnesses in Nashville and elsewhere dozens of times.
Two months ago, she has released her first solo single, “Love Steps In,” a tribute to her brother’s cancer battle written by her fiancé, Brandon Robert Young, and songwriter Justin Halpin.
“This song accomplished more than I could ever imagined. It has been nice to make lots of people smile and feel things.”
Bowen hit the Opry stage Jan. 13 to sing the song, which led to thousands of people sharing cancer and chronic illness stories with each other since on social media.
That in turn has helped Bowen with her healing.
“All of my insecurities and all my feelings of shortcoming have been linked to not doing enough to make the world better,” she said.
“When you’re able to give people a vehicle to express something they’ve had locked up, that’s the greatest privilege as an artist.”
Mid-season finale for ‘Nashville’
CMT airs the mid-season finale of “Nashville” at 8 p.m. Thursday (March 9).
In the episode, titled “Fire and Rain,” there will be a big twist for Scarlett, played by actress Clare Bowen, network publicists say. No word on what that twist will be.
Also in the episode, CMT posted on its website, “Juliette helps Maddie navigate the wave of attention she receives after her performance at the CMT Music Awards. Zach demands the masters from Rayna and Deacon’s unfinished album.”
CMT plans to start airing new episodes again this summer, but no date has been set yet.
Reach Brad Schmitt at email@example.com or 615-259-8384 or on Twitter @bradschmitt.
Bowen recalls classic TV comedy that was appointment viewing for future actress and her grandmother.
In five seasons on the musical drama Nashville, Australian-born singer-actress Clare Bowen has forged friendships with a cast and crew that have become like a second family. Bowen – who recently debuted the video for “Love Steps In,” a powerful tribute to her brother Timothy’s cancer battle – celebrates family and friendship of another kind with a joyous acoustic rendition of “Thank You for Being a Friend,” the theme song of the long-running hit NBC comedy The Golden Girls.
To celebrate The Golden Girls’ streaming debut on Hulu, Bowen, dressed in gold (with makeup to match) and accompanied by her fiancé Brandon Robert Young on acoustic guitar, offers a sweet, lively version of the song, which was penned by the late Andrew Gold, who scored a Top 30 pop hit with it in 1978. Seven years later, as performed by jingle singer Cindy Fee, the theme song opened the series that would span 180 episodes, winning 11 Emmy awards in its run from 1985 to 1992. All four stars of the show, Bea Arthur, Estelle Getty, Rue McClanahan and Betty White, earned Emmys for their roles. Bowen’s special memories of the series – and the song – are associated with one family member in particular.
“My Grandma Shirley and I used to rug up on the couch and watch together after dinner, laughing ourselves silly,” Bowen tells Rolling Stone Country. “The Golden Girls is such a special concept. These amazing women are telling stories about the life no one gets warned about – the life that happens after spouses and children and jobs and ‘ladylike’ has gone out the window. All I have to do is think about that iconic opening song, and I’m back on the couch with my beautiful grandmother.”
All seven seasons of The Golden Girls are available on Hulu beginning today. New episodes of Nashville air Thursdays at 9:00 p.m. ET on CMT, and are available on Hulu the following day.
Michael Franti, Rooney, Clare Bowen, Josh Kelley and Andy Shauf are among the performers who will take the stage at the ASCAP Music Café during the 2017 Sundance Film Festival. In its 19th year, the Music Café features singer/songwriters performing daily from Jan. 20-27 courtesy of the leading performing rights and music advocacy organization.
The Sundance ASCAP Music Café, located in the Rich Haines Gallery on Main Street in Park City, Utah, will be open to all festival credential holders (21+), with performances beginning at 2 p.m. daily. Also performing during the event will be Peter Bradley Adams, Wilder Adkins, The Album Leaf, Zac Clark, Lee DeWyze, Fantastic Negrito, Brent Falyaz, Jim and Sam, Niia, SadGirl, R.LUM.R, Jack Savoretti, Antonique Smith, Southern Avenue, Nakhane Touré, Ernst Reijseger and Marion Williams.
This year will also mark the return of the Bluebird Café Series on Jan. 25-26, which will include award-winning songwriters JT Harding (Blake Shelton, Kenny Chesney), Rivers Rutherford (Chesney, Tim McGraw) and on-the-rise singer Brett Young.
”For 19 years, ASCAP and Sundance Institute have shared a unique,enduring vision dedicated to the discovery, development and support of great art and the artists who create it,” said ASCAP Assistant Vice President and Sundance ASCAP Music Café producer Loretta Muñoz in a statement. “The Sundance ASCAP Music Cafe honors that vision by highlighting some of our incredibly talented ASCAP members while celebrating music’s essential role in the art of filmmaking. The Music Café continues to be a highlight of our year. We welcome Sundance Film Festival filmmakers and festival-goers to stop by, experience and discover.”
Debuts Immediately Following The Two-Hour Premiere of “Nashville” on Thursday, January 5 at 11pm ET on CMT’s Facebook Page With Chris Carmack As First Guest
Nashville, January 4, 2017 – CMT today announced “NASHCHAT” the first-ever social interactive fan hangout and conversation companion to the hit series “Nashville,” across Facebook, Instagram, Twitter and Snapchat including a Facebook Live chat that will debut immediately following the two-hour premiere of “Nashville” with star Chris Carmack (Will Lexington) set as the first guest on January 5 at 11pm ET on CMT’s Facebook page. “Nashville” is produced by Lionsgate, ABC Studios and Opry Entertainment.
“Fans saved ‘Nashville.’ Now we’re inviting fans into our living room to celebrate the characters, stories and music they love,” said Brian Philips, President of CMT. “With ‘NASHCHAT’, we’ll create a home across all social media culminating with a Facebook Live interactive recap and fan chat immediately following new episodes.”
Hosted by “Nashville” superfan and radio personality, Amy Brown (@RadioAmy) each episode of “NASHCHAT,” coming live from a living room in Nashville, features cast and crew interviews, original music, “Nashville” insiders and of course the fans recapping each new episode just after the show ends.
Between episodes, CMT will continue the conversation across all social media. CMT Instagram and Instagram Live will host “NASHCHAT” behind the scenes, CMT Snapchat will feature “Nashville” cast content, fan community content, games and contests. CMT Twitter will drive the daily conversation with the fans including unveiling new memes and clips, as well as quizzes, photos, recaps and episodic promos.
“Nashville” is set against the backdrop of the city’s music scene and follows Rayna Jaymes and Juliette Barnes. Both women face personal and professional challenges as they navigate their paths as artists and individuals. Surrounding them and often complicating their lives are their family, friends and, in some cases, lovers, as well as the up-and-coming performers and songwriters trying to get ahead in the business. Music City can mean so many things to different people. In “Nashville,” musicians and songwriters are at the heart of the storm driven by their own ambitions. Some are fueled by their creativity and passion for fame. Others struggle to cope with the pressures of success and are doing everything in their power to stay on top.
“Nashville” stars Connie Britton as Rayna Jaymes, Hayden Panettiere as Juliette Barnes, Clare Bowen as Scarlett O’Connor, Chris Carmack as Will Lexington, Charles Esten as Deacon Claybourne, Jonathan Jackson as Avery Barkley, Sam Palladio as Gunnar Scott, Maisy Stella as Daphne Conrad and Lennon Stella as Maddie Conrad. In addition, the upcoming season will feature Joseph David-Jones as Clay, Rhiannon Giddens as Hallie Jordan, Jen Richards as Allyson Del Lago, and Cameron Scoggins as Zach Welles in recurring roles.
Produced by Lionsgate, ABC Studios and Opry Entertainment, production is currently underway in Nashville. The series is executive produced by Marshall Herskovitz and Ed Zwick (the creators of “Thirtysomething”), Steve Buchanan and Callie Khouri.
The series airs in 225 territories worldwide. Since its debut, the show has inspired 10 soundtracks, including a Christmas album, which have collectively sold more than one million album units and over 5 million single-track downloads to date. It has also been nominated for multiple Emmy, Golden Globe and Critics Choice awards.
Clare Bowen (Scarlett O’Connor on Nashville) talks about why she cut her hair, and the enormous, positive response it received. Watch the first episode of Nashville when Scarlett O’Connor revealed her new look this Saturday, October 22nd beginning at 9|8c only on AXS TV!