Nashville isn’t going anywhere.
CMT has renewed the country music drama for a 16-episode sixth season debuting in early 2018, ET has learned.
“Nashville is our biggest hit and we’re thrilled its fans have now become consistent CMT viewers,” said Brian Philips, President of CMT. “As fans ourselves, we couldn’t be happier with our hometown show’s creative resurgence! We can’t wait for you to see what comes next.”
As a treat to the fans, CMT released a new teaser video highlighting what’s to come in the second half of the current fifth season. In the midseason finale, Maddie (Lennon Maisy) went off to New York to kick-start her singing career and Scarlett (Clare Bowen) revealed that she was pregnant.
Showrunner and executive producer Marshall Herskovitz gave a preview of where the characters are headed in the summer premiere, which picks up 10 weeks later. When the show returns, Deacon (Esten) helps Daphne (Stella Maisy), but Daphne feels unmotivated, while Juliette (Hayden Panettiere) offers Maddie unsolicited advice about a song. Meanwhile, Scarlett and Gunnar (Sam Palladio) receives news about the baby.
“What we’re promising, really, is this continuing process of deepening the relationships of these characters and following through them figuring out who they are in their lives, trying to make their way and getting into the real conflicts that happen. That’s going to be both wonderful and difficult,” Herskovitz teased.
“There is most definitely life after Rayna and yet we never forget her,” he continued, referencing the death of Connie Britton’s character. “She’s sort of a presence in each of the episodes because that’s what happens in life.”
Nashville will also welcome another addition to the cast — and he’ll likely be stirring up trouble.
Big Little Lies star Jeff Nordling has joined the ensemble as Brad Maitland, an “extremely successful, charming, egotistical, narcissistic owner” of Nashville’s most successful record label. Nordling joins Rachel Bilson and Kaitlin Doubleday as the newest members of the Nashville family.
Nashville returns for the second half of season five on Thursday, June 1 at 9 p.m. ET/PT on CMT.
I’ve added screencaps of Clare from the most recent episode of Nashville. Still reeling from that shocker at the end!
I’ve also added screencaps to all the missing Nashville featurettes from CMT from this season of Nashville. Enjoy.
• Featurette #3 – Favorite Nashville Moment
• Featurette #4 – Favorite Nashville Song
• Featurette #5 – Happy New Year Nashies
• Featurette #6 – Nashville Chat
• Featurette #7 – Character New Year’s Resolutions
• Inside Nashville – Episode 505
• Inside Nashville – Episode 506
• Inside Nashville – Episode 507
• Inside Nashville – Episode 508
• Inside Nashville – Episode 509
• Inside Nashville – Episode 510
• Inside Nashville – Episode 511
Warning: Spoiler alert! Do not proceed if you have not watched Thursday’s spring finale of Nashville. If you have, read our full recap, then come on back.
Well, that’s certainly going to change things.
Nashville wrapped up the first half of its fifth season with an unexpected bombshell at the end of Thursday’s spring finale: Scarlett (Clare Bowen) is with child!
The singer-songwriter broke the baby news moments after reluctantly agreeing to go on tour with her on-again/off-again beau Gunnar (Sam Palladio), telling him that she’s going on the road with him, with one not-so-tiny caveat. “One thing you need to know… I’m pregnant,” Scarlett revealed to Gunnar (and the audience), who had a stunned expression on his face.
The kicker? She’s not sure who the father is: Gunnar or Damien (Christian Coulson), the Brit who directed The Exes’ music video and immediately took a liking to Scarlett. And so the long wait to the resolution of that cliffhanger begins!
Luckily, ET caught up with Bowen via email about what Scarlett’s impending motherhood means for her future — and whether it makes a difference who the father is.
ET: Scarlett’s pregnancy bombshell was quite a shock! What was your first reaction when you read that in the script?
Clare Bowen: In the words of Terry Pratchett: “Oh, drama.”
How do you think she’d handle motherhood?
Scarlett’s done a lot of growing up over the last couple of seasons. She’s developed a sense of self-preservation, as opposed to just trying to keep everyone else happy all the time. I think her having become protective of herself, her own wants and needs is a good start in self-love, just in time for this journey. Having said that, we all know she’s great at taking care of others, but having had an abusive, unwell mother herself, she has no training in “mothering.” Not to mention, she’s a 26 year old with a career, experiencing a surprise pregnancy just when she thought she was getting a foothold on life. But she’s resourceful and instinctive with the patience of a brick. So she’s just going to bloody well handle it.
While this normally would be happy news, it seems Scarlett is torn — especially when she admits she doesn’t know who the father is. How does Scarlett navigate this new uncharted territory?
“Normal” is a setting on a dryer. Scarlett has had fears that she might suddenly turn into her mother upon becoming one. She also entertains the fear that this is her punishment for doing something that actually felt good, instead of just submitting to Gunnar’s wishes. But in her heart of hearts, she knows that’s simply not true. She knows everything happens for a reason and chooses to keep her baby, because to her as an individual, no matter who this baby came from, he or she is a part of her, and that is enough for Scarlett.
How will the identity of the father change things for Scarlett? If it’s Gunnar’s baby, will she have a different reaction than if it was Damien’s? Is it important to her who it is?
Honestly she doesn’t want, or need, to know at this moment. She is the one carrying this child. She doesn’t want to hurt Gunnar, and thusly can’t fake having feelings for him right now. Also she has no idea what Damien’s reaction will be. At this point, it’s all about her baby. That’s just the way she is.
She’s also about to go on tour with Gunnar. Could this new baby thaw things between them?
I don’t have children but I’ve been told they’re not instruments to fixing broken relationships. Scarlett was incredibly honest with Gunnar, and well within her rights when she said she didn’t know what it would take for her to trust him again.
It was lovely seeing Rayna — via footage, interviews — throughout this episode, as everyone started to pick up the pieces and move on with their lives. Were you satisfied with the way Rayna’s story closed with the recording of the unfinished duet?
Upon witnessing Deacon’s strength in singing with the love of his life one last time, knowing he’ll never hold her again, there came about a feeling of “He will survive this” for Scarlett. Her family is a patched-together thing. Deacon is not just her uncle — he’s her best friend in the whole world, and she’d do anything to protect him. Seeing him put one toe on the path to healing made her heart soar.
Lastly, what three words would you use to describe Nashville’s return?
Honesty, family, bravery.
Nashville returns this summer on CMT.
She remembers being really cold.
Clare Bowen, 4 years old, couldn’t move her legs. Her parents rushed her to the hospital in Sydney. It was the first time the little Australian girl had ever been in air conditioning.
In that chilly hospital, the girl overheard grim doctors say “end-stage nephroblastoma,” words she didn’t know. But Bowen understood when they told her parents she was dying.
The blonde-haired little girl calmly asked her mother: “Are there heaters in heaven?”
As a child, Bowen remembers that her dad was a flight attendant for first class on Qantas airline. Her mom owned a clothing shop and baked wedding cakes. And she took care of the little girl, who spent more time with animals than other children.
They had a pet white mouse named Albert, and a canary named Aloicious. A stray Russian blue cat, Butch, would wander by the house now and again, and when Mom put out a bowl of food for the cat, she sometimes put a bowl of milk down for her daughter, who would drink it right next to the stray.
The little girl ran to meet Butch every time the cat came by. But the day before her legs stopped working, Bowen, not feeling well, ignored her feline friend.
“I remember not caring he was there,” Bowen said softly.
The tumor was the size of a football, crushing virtually everything inside the little girl’s body.
Doctors said she had about two weeks to live, but there was this experimental treatment – one that might kill her outright.
“They asked my parents to sign a release. They had to sign a release to basically poison me,” Bowen said.
Doctors wanted to shrink the tumor to the size of a grapefruit before they went after it to remove it.
The surgery lasted 10 hours. Surgeons rolled the girl onto her left side, cut near her waistline around half her body, and pulled out the tumor – and one of her kidneys and part of her diaphragm and some of her guts that had been damaged by the tumor.
Bowen stayed in the hospital for a year, maybe longer, and staff and relatives tried to make it as comfortable and even as fun as possible. The little girl’s name was painted on her door.
Her mother snuck her canary and her mouse into her room, and a family friend brought a Labrador to the hospital gardens to play with the sick little girl. Nurses did arts and crafts with Bowen and the other children.
Sometimes, Bowen felt awful, and nurses and doctors would rush her into various treatments.
‘We were all bald’
The most jarring day came when a child died in the recovery room they shared.
“I woke up, alarm bells going off. We didn’t know each other’s names, and I didn’t know if he was a boy or a girl. We were all bald,” she said.
“I looked to my left and saw the little one’s mother holding the child, and the child had gone completely limp.
“This woman was just screaming like something had been torn out of her,” Bowen said, pausing. “It’s not normal, but it happened all the time.”
The worst day was when her best cancer buddy, Jackie, died the same week doctors started letting Bowen sleep at home.
Bowen, crushed, couldn’t shake the feeling – Why did her friend die and she lived?
“I had survivor’s guilt and I didn’t even know it,” Bowen said. “I never really cared what happened to me but I wanted to take care of others, even as a girl.”
Bowen, sleeping at the family home, still went to the hospital each day for treatment and monitoring.
Sometimes, the girl woke up vomiting, and couldn’t stop, so the family would rush her to the hospital.
Through all of it, extended family showed up regularly. Bowen smiled when she remembered having about 20 relatives in her room one day, grandparents, aunts, uncles, cousins, sitting on the floor with them eating chicken nuggets, talking and laughing.
Bowen had a tough time returning to school because other kids’ parents feared the sickly, gaunt girl, mistaking her as a victim of the AIDS epidemic sweeping the hospital at the time.
“Other mothers used to pull their children away from me,” she said. “They didn’t want their children traumatized by my impending death.”
A year or so later, Bowen enrolled in Catholic school with supportive, loving teachers and administrators. She slowly integrated back into being a little girl again.
But lingering health issues and survivor’s guilt left Bowen feeling off: “I didn’t have a good sense of self-esteem and I was constantly sick with side effects from chemo.”
Panic attacks racked her as a teenager, and she had them often enough that she started to be able to manage them.
“Even if I’m worried and horrible panic attack feelings kick in, I’m rational enough to say, ‘Keep going, breath in some energy.’”
With time and therapy, Bowen, now 32, has begun feeling a sense of self-worth.
“I learned to love myself,” she said.
Bowen was able to stand with her brother, Timothy, as he fought and beat cancer recently.
And Bowen – an actress who plays singer/songwriter Scarlett on CMT series “Nashville” – has begun to speak publicly about the disease and her battle with it.
She famously cut off her long hair in fall 2015 to show support for a little girl who said she couldn’t be a princess anymore because she didn’t have long hair.
“I wanted her, and others like her to know that’s not what makes a princess, or a warrior, or a superhero. It’s not what makes you beautiful either,” Bowen posted on Facebook.
“It’s your insides that count… even if you happen to be missing half of them.”
Bowen also served as a keynote speaker last year for a Country Cares seminar for St. Jude Children’s Research Hospital, and she has visited children with cancer and other chronic illnesses in Nashville and elsewhere dozens of times.
Two months ago, she has released her first solo single, “Love Steps In,” a tribute to her brother’s cancer battle written by her fiancé, Brandon Robert Young, and songwriter Justin Halpin.
“This song accomplished more than I could ever imagined. It has been nice to make lots of people smile and feel things.”
Bowen hit the Opry stage Jan. 13 to sing the song, which led to thousands of people sharing cancer and chronic illness stories with each other since on social media.
That in turn has helped Bowen with her healing.
“All of my insecurities and all my feelings of shortcoming have been linked to not doing enough to make the world better,” she said.
“When you’re able to give people a vehicle to express something they’ve had locked up, that’s the greatest privilege as an artist.”
Mid-season finale for ‘Nashville’
CMT airs the mid-season finale of “Nashville” at 8 p.m. Thursday (March 9).
In the episode, titled “Fire and Rain,” there will be a big twist for Scarlett, played by actress Clare Bowen, network publicists say. No word on what that twist will be.
Also in the episode, CMT posted on its website, “Juliette helps Maddie navigate the wave of attention she receives after her performance at the CMT Music Awards. Zach demands the masters from Rayna and Deacon’s unfinished album.”
CMT plans to start airing new episodes again this summer, but no date has been set yet.
Reach Brad Schmitt at email@example.com or 615-259-8384 or on Twitter @bradschmitt.
I’ve added missing screencaps and stills from the last 3 episodes of Nashville. Sorry for the delay in adding these.
• Nashville 508: Stand Beside Me – Screencaps
• Nashville 508: Stand Beside Me – Stills
• Nashville 509: If Tomorrow Never Comes – Screencaps
• Nashville 509: If Tomorrow Never Comes – Stills
• Nashville 510: I’ll Fly Away – Screencaps
• Nashville 510: I’ll Fly Away – Stills
I’ve returned from vacation and have added a bunch of missing Nashville-related photos to the site. I hope you enjoy them. Big thanks to my friends Mouza and Angela for the promotional images. Clare looks stunning in them and I’m so thrilled with Scarlett this season. How about you?
• Nashville Season 4 Promotional Images: Solo
• Nashville 504: Let’s Put It Back Together Again – Screencaps
• Nashville 504: Let’s Put It Back Together Again – Stills
• Nashville 505: Leap of Faith – Screencaps
• Nashville 505: Leap of Faith – Stills
• Nashville 506: Love Hurts – Screencaps
• Nashville 507: Hurricane – Screencaps
• Nashville 507: Hurricane – Stills
Bowen recalls classic TV comedy that was appointment viewing for future actress and her grandmother.
In five seasons on the musical drama Nashville, Australian-born singer-actress Clare Bowen has forged friendships with a cast and crew that have become like a second family. Bowen – who recently debuted the video for “Love Steps In,” a powerful tribute to her brother Timothy’s cancer battle – celebrates family and friendship of another kind with a joyous acoustic rendition of “Thank You for Being a Friend,” the theme song of the long-running hit NBC comedy The Golden Girls.
To celebrate The Golden Girls’ streaming debut on Hulu, Bowen, dressed in gold (with makeup to match) and accompanied by her fiancé Brandon Robert Young on acoustic guitar, offers a sweet, lively version of the song, which was penned by the late Andrew Gold, who scored a Top 30 pop hit with it in 1978. Seven years later, as performed by jingle singer Cindy Fee, the theme song opened the series that would span 180 episodes, winning 11 Emmy awards in its run from 1985 to 1992. All four stars of the show, Bea Arthur, Estelle Getty, Rue McClanahan and Betty White, earned Emmys for their roles. Bowen’s special memories of the series – and the song – are associated with one family member in particular.
“My Grandma Shirley and I used to rug up on the couch and watch together after dinner, laughing ourselves silly,” Bowen tells Rolling Stone Country. “The Golden Girls is such a special concept. These amazing women are telling stories about the life no one gets warned about – the life that happens after spouses and children and jobs and ‘ladylike’ has gone out the window. All I have to do is think about that iconic opening song, and I’m back on the couch with my beautiful grandmother.”
All seven seasons of The Golden Girls are available on Hulu beginning today. New episodes of Nashville air Thursdays at 9:00 p.m. ET on CMT, and are available on Hulu the following day.
Michael Franti, Rooney, Clare Bowen, Josh Kelley and Andy Shauf are among the performers who will take the stage at the ASCAP Music Café during the 2017 Sundance Film Festival. In its 19th year, the Music Café features singer/songwriters performing daily from Jan. 20-27 courtesy of the leading performing rights and music advocacy organization.
The Sundance ASCAP Music Café, located in the Rich Haines Gallery on Main Street in Park City, Utah, will be open to all festival credential holders (21+), with performances beginning at 2 p.m. daily. Also performing during the event will be Peter Bradley Adams, Wilder Adkins, The Album Leaf, Zac Clark, Lee DeWyze, Fantastic Negrito, Brent Falyaz, Jim and Sam, Niia, SadGirl, R.LUM.R, Jack Savoretti, Antonique Smith, Southern Avenue, Nakhane Touré, Ernst Reijseger and Marion Williams.
This year will also mark the return of the Bluebird Café Series on Jan. 25-26, which will include award-winning songwriters JT Harding (Blake Shelton, Kenny Chesney), Rivers Rutherford (Chesney, Tim McGraw) and on-the-rise singer Brett Young.
”For 19 years, ASCAP and Sundance Institute have shared a unique,enduring vision dedicated to the discovery, development and support of great art and the artists who create it,” said ASCAP Assistant Vice President and Sundance ASCAP Music Café producer Loretta Muñoz in a statement. “The Sundance ASCAP Music Cafe honors that vision by highlighting some of our incredibly talented ASCAP members while celebrating music’s essential role in the art of filmmaking. The Music Café continues to be a highlight of our year. We welcome Sundance Film Festival filmmakers and festival-goers to stop by, experience and discover.”